Creating timelines for different opening sequences will help enforce the title structure. Watching more and more opening sequences will also help me look at the different techniques used by different genres and therefore help me plan the techniques I would like to use when creating my own opening scene
0.02 – MARIO KASSAR PRESENTS
0.02 – MARIO KASSAR PRESENTS
0.03 – music starts
0.04 – A LE STYUDIO CANAL+ / CANTROPOLIS FILM PRODUCTION
0.08 – IN ASSOCIATION WITH CAROLOCO PICTURES INC
0.12 – close up of engraved rock
0.14 – A ROLAND EMMERICH FILM
0.19 – KURT RUSSELL
0.23 – JAMES SPADER
0.25 – camera starts to pan to the left and tilt down
0.42 – VIVECA LINDFORS new close up of different scenery
0.47 – ALEXIS CRUZ camera is still panning left and starts to tilt upwards
0.52 – MILI AVITAL
0.56 – LEON RIPPLY
1.02 – JOHN DIEHL camera is still panning left and tilting up
1.07 – CARLOS LAUCHU DJIMON
1.12 – ERICK AVARI
FRENCH STEWART camera begins just to tilt upwards
GIANIN LOFFLER
GIANIN LOFFLER
1.18 – AND JAYNE DAVIDSON camera starts panning to the left again
1.22 - CASTING BY APRIL WEBSER C.S.A
1.28 – MUSIC BY DAVID ARNOLD
1.33 - DIGITAL AND VISUAL EFFECTS SUPERVISOR JEFFREY A.OKUN
1.37 – SPECIAL CREATURE EFFECTS CREATED BY PATRICK TATOPOULOS
1.43 – COSTUME DESIGNER JOSEPH PORRO
1.48 – EDITED BY MICHAEL J.DUTHIE AND DEREK BRECHIN
1.53 – PRODUCTION DESIGNER HOLGER CROSS
1.58 – DIRECTOR OF PHOTOGRAPHY KARL WALTER LINDENLAUV, BVK
2.04 – CO PRODUCER UTE EMMERICH
2.10 - EXECUTIVE PRODUCER MARIO KASSAR
2.16 – WRITTEN BY DEAN DEVLIN & ROLAND EMMERICH
2.23 – PRODUCED BY JOEL B. MICHAELS
OLIVER EBERLE
DEAN DEVLIN
OLIVER EBERLE
DEAN DEVLIN
2.29 – DIRECTED BY ROLAND EMMERICH camera zooms out to reveal statue head
2.42 – camera has zoomed out so audience can completely see the statue head
You can find the opening sequence of Stargate below
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